The Analekta Story
![]() t had to happen. The science boys had their Scientific Victorian and it was only a matter of time before calls for a similar arts publication grew shriller. The number of post-certificate arts students in 1953 when the science journal first appeared was minuscule perhaps a few handfuls who stayed only five terms before leaving in September for the University. But by 1957 a critical mass of arts students drawn from the V.I. and from other K.L., Seremban and Klang schools was finally in place. It was the heady era of growth and innovation under headmaster and geographer Dr G E D Lewis who gave his blessings to any student initiative for extra-curricular activities provided an advisory teacher could be coaxed to act as figurehead. The boys and girls would do the rest. The May 1957 issue of the Seladang editorial
announced the imminent debut of the V.I. Economics Review to
be published by the V.I. Sixth Formers. In the same breath it wondered
aloud as to the viability of yet another school publication, what with
the limited number of advertisers in Kuala Lumpur town. No doubt some
were staunch V.I. supporters, and, indeed, were Old Boys themselves, it
allowed, but, surely, might not there be a limit to their benevolence?
Enter Hamzah bin Majeed, the Mock Elections landslide winner of 1956, playwright of that wicked Merdeka parody of the same year and erstwhile gadfly of the establishment. Replying to the Seladang, he explained that there had also been proposals to publish a V.I. Historical Review and a V.I. Literary Review. It made sense to combine all such endeavours into a single arts journal - not just the Economics Review - which would have articles on English, Malay, history, geography and economics. The cost of the new journal, he promised, would be kept as low as possible. Hamzah was, of course, a shoo-in for editor of the new paper on the block. He was a third generation Victorian to boot, his grandfather having attended the old V.I. on the banks of the Klang River. Active in debating and drama, Hamzah played Nerissa, a servant to Portia in the 1952 Merchant of Venice, in the post-war resurrection of the V.I. drama movement. In 1953 he had edited the 7C Youth Herald, a cyclostyled collection of articles and jokes which made a modest profit in sales around the school. By the end of 1954 he was already promoted the Seladang joint Feature Editor with Quan Siew Khin. There had been discussions at the end of 1956
between arts students and teachers, Mr A. Milne and Dr. Kathleen
Jones, following suggestions by Dr Lewis for a arts journal. It was
decided that this new journal would be radically different from the
The enthusiasm for the Analekta was contagious.
Never mind that Hamzah's "editorial office" was just two tables cobbled
together in one of the arts classrooms of the new Sixth Form block. His
classmates - essentially his Merdeka cast - rallied round to help.
As the last scaffolding was taken down in the Merdeka Stadium next door,
in Hamzah's makeshift office, the last Analekta proofs were
Perhaps caution was the watchword for this inaugural issue for Hamzah was nominally "joint editor" with Dr Jones. There were no student editors for the various departments, only teachers: Messrs Bennett (English), Jaffar Menantu (Malay), Lam Kok Hon (Geography), John Doraisamy (Economics and Government) and Dr Jogindra Singh (History) but copy came entirely from the student body. Only two students served officially on the editorial board Amarjit Singh Verick as Business Manager and Krishen Jit as Editorial Assistant. Hamzah's editorial declared that the main responsibilities of a good educational institution was to provide an all-round education to produce citizens with a balanced outlook, not just people with a scientific limp or the gawkish affectations of pseudo-sophistications. Plain literacy if devoid of originality and imagination, he contended, was not enough either. The country was a meeting place for any ideas and cultures and should produce intellectuals of calibre. What education owed Malaya, Hamzah insisted, was an identity. The spirit of enquiry and ideas lent excitement to study and research and led to a broader outlook. "... The Analekta was the V.I. s contribution to that process." 1,500 copies were printed and sold to pupils of the upper forms. Copies were peddled in other Kuala Lumpur schools while many more schools elsewhere, from Penang Free School to Raffles Institution in Singapore received a complimentary copy each. Even the University of Malaya library in Singapore was sent a copy which today is guarded like gold in the rare books section! Four pages of ads including a full page taken out by Hamzah s family business, C. L. A. Majeed, and a half page by Krishen Jit s family textile business, Dyalchand Amarsingh - helped defray the printing costs. Between the covers it was as if the literary flood
gates had opened to release a torrent of pent-up talent. Eight think
The literary offerings of the Malay Section comprised
three poems including one, Aku bukan boneka, by Form Five science
student Khalid Musbah, while Ariffin Mohd Yassin penned a survey, Persuratan
Melayu sa-pintas lalu. The Geography Section included a survey of squatters
in Kuala Lumpur by Isher Singh Sekhon. It was an eye-opener to read that
a quarter of Kuala Lumpur's 400,000 people were squatters. In a three-and-a-half
page analysis, Isher Singh examined the reasons for people flocking to Kuala
Lumpur and the problems arising therein. Maureen Siebel's topic was The
Klang River, an innovative look at a familiar river. With a geographer s
eye, she followed the Klang River from source to its mouth 90 miles away.
The river, bane of the old V.I. in High Street
The History Section started off with a Phang Kon Hee piece asking Has history a meaning?, a profound work by a schoolboy that could easily have been passed off as a university term paper. Amarjit Singh Verick examined Communism in Malaya in a piece of topical interest given that the communist insurgency was officially still on-going. A companion article by Sieh Kok Ying examined the resettlement and problems of rural squatters brought about by that same insurgency. Both writers touched on sensitive issues that the public media of that day would not have addressed. Still other pieces covered piracy in Malayan waters, the Dowager Empress of China and the role of arts and crafts in Malayan history. In the Economics and Government Section, future
University of Malaya history lecturer Rollins Bonney discussed the
question, Is the United Nations necessary?, an insightful look at
global political machinations of the day. Delving into the aims of the
U.N. Charter, Rollins critically examined them against the issues of the
day - Algeria, Hungary and Cyprus. Phang Kon Hee, now wearing an economist s
hat, returned to argue for the establishment of a central bank in newly
independent Malaya. He obviously ate what he baked as, after
At the end of the day, the Analekta had earned
its wings and over the next several years its contributors would comprise
many outstanding Victorians destined to fill the halls of academia, corporate
board rooms and the corridors of political power. And what a roll call!
K P Kannan Kutty who wrote Nationalism and Colonialism
in South East Asia, Goh Joon Hai (Confucianism in Chinese history),
Cheong Kee Cheok (The character of the Indian Mutiny) all later became
On an equally lofty perch on the other side of the causeway,
stands Tan Lee Meng, a judge of the Supreme Court of Singapore and former
Dean of the NUS Law Faculty and Deputy Vice-Chancellor. Displaying flashes
of his future legal skills, he penned the 1966 Commonwealth, whither art
thou?, a six-page examination of its role and purpose. Then, donning his
historian and political scientist's hat, Lee Meng wrote for the next
Analekta a critique of the Mainland China and
Another high profile personality was Mohamed Noordin Sopiee
(later Tan Sri), future chairman and CEO of the Institute of Strategic and
International Studies Malaysia. One would like to think that Noordin Sopiee first
As for our pioneering
editor, Hamzah Majeed (also Datuk today), he charted a glittering career in
government, serving as Director-General of three departments as well as
There was no 1962 Analekta. Old Victorians and old teachers in the arts stream of that year unfortunately cannot recall the circumstances of this. It is a deliciously speculative thought, that had there been a 1962 issue, two of today's well-known personalities would certainly have contributed articles, or even edited the journal. One would have been Datuk Rafidah Aziz, the Minister for Trade and Industry today who launched her working career as an economics lecturer. A Rafidite treatise on rural economics perhaps? Her classmate, Chuah Guat Eng, a published writer whose first novel, Echoes of Silence, is a prescribed text in the English departments of some Malaysian universities, would almost certainly have contributed an article, a poem or even a short story. There were already hints of a malaise in the school's extra-curricular scene by that time. The relentless annual surge in new societies and clubs over the past five years had reached the limit of the membership supply lines. There were some forty clubs/societies/uniformed bodies vying for members to fill their thinning membership rolls. Victorians were having less and less time for more and more clubs. This was, of course, on top of the perennially heavy demands of the school curriculum and unceasing Inter-House competitions. A 1963 Seladang editorial lamented the ominous spate of interclass schisms, anti-arts or anti-science cliques, and even a deep divide between Upper Six and Lower Sixth pupils. Rival groups, if they turned up, reportedly sat apart from each other at society meetings. In April 1964, under the aegis of the new Headmaster, Mr V. Murugasu, the Senior Literary and Debating Society, the Geographical Society, the Historical Society, the Economics Society held two long seminal meetings. After much heated debate, they decided to merge into an new all-encompassing entity, the V.I. Arts Union. All members of the Sixth Form arts community would be automatic members while Form Five Arts students and science students could become associate members. In one stroke there were three fewer Societies in the school and, hopefully, reduced demands on members' time. One consequence of this cosmic event was that the Analekta now had a parent, becoming in the process the official organ of the Arts Union. Its role vis-à-vis its parent mirrored that between the Scientific Victorian and the Science and Maths Society. Like its science counterpart, the Analekta would henceforth publish, together with its think pieces, the annual report of its parent body as well as the various section reports of the school exhibitions. But all was not completely well. While the Analekta continued publishing and the school's arts population dutifully supported it, the V.I.'s main rival schools were giving it the cold shoulder. (Things were a little better in the girls schools and in PJ schools though!) Its circulation had plummeted to around 500 by 1965, which required a subsidy from the school to keep the journal afloat. To be fair, the Malaysia of the sixties was no longer
the Malaya of the late fifties. The values of Malaysian society were
changing, slowly but perceptibly. The pressures on the Malaysian schoolchild,
the V.I. pupil especially, were enormous. Under the Murugasu regime, there
was compulsory participation in extramural activities without any let up
in academic and sporting expectations. Errant pupils queued outside the
Headmaster's office to receive a stroke of the cane for each subject failed
in the trial exams. In 1963 the education department began a policy of
localization , taking in First Formers based on the proximity of their
homes to the school. The traditional feeder school arrangement was being
dismantled dragging down the quality of pupils joining the V.I. Reading
anything other than one s textbooks became a dying habit, and writing -
good writing - a lost skill. Eventually something had to give and, in
the case of V.I. student publications, the dearth of contributors
In 1967, a guest editorial by former teacher Mr John
Doraisamy, then a lecturer in education at the University, decried the
situation in many Malaysian schools, stating that "the whole aim of
pupils and teachers is to cram for the various public examination to the
utter neglect of personality development. The time might come, he
feared, when thousands of pupils would leave school without being able to
write one sentence of correct English nor be able to grasp one passage of
an editorial. (Crucially, too, 1967 was the year when the Bahasa education
Writing in the journal's Bowsprit and steering a
similar tack, the 1967 editor, Wan Ahmad Hulaimi, now a free-lance journalist
in London, noted bluntly that a decade of creative writing has brought it
to a point of decadence that writing for its own pleasure is, in this
institution, a dying art. Optimists have attributed this unproductivity to
literary dormance, pressure of work and sheer laziness; and that we are merely
experiencing a period of lull. While hoping that they are far from wrong, we
still think demise is a better word, for in the world of creative writing,
laziness and death are dangerously synonymous. The existing state of affairs
Alas, his words were prophetic. Despite a fresh cover design featuring a photograph of the school overlaid with the title The Tenth Analekta, sales were tepid. A botched marketing campaign to extend sales beyond Selangor brought that evil day ever closer. The Analekta failed to appear in 1968; Mr Murugasu probably decided to let the patient die to save the subsidy the school had been pumping in The May 13 incident resulted in a blanket cancellation of just about every major iconic school event in 1969 including the annual school sports and the school play. The Analekta, if ever it was even considered for resuscitation or resurrection, would have been low down in the list of priorities. For a while it lived on in spirit in the memories of some V.I. pupils. There were some token attempts to revive it in the early nineteen seventies when the Arts Union distributed gratis to its members cyclostyled articles stapled together under the title Analekta . The Union had hoped, perhaps vainly, that these would be of some use to its members in the year-end HSC exams. By the mid-seventies - with the entire secondary system virtually converted from English - the raison d'être for such specialty publications had gone and the Analekta disappeared quietly into the night.
![]() Created: 1 June 2007. Last update: 29 October 2007. |